Thursday, March 6, 2025

Perspective

I'm not feeling particularly brilliant tonight so very briefly, let me reintroduce Intersection to you once again:   

First up, meet the stars a.k.a main characters: 

Audra's tale is about holding on and being reluctant to let go; the loneliness of (possibly) being the only one who remembers, while everyone else has moved on. 

As for Radhesh, his is an elaborate exercise of avoidance, though ignorance doesn't always prove to be bliss. 

Meanwhile,  Chen Hao's adventures raise the question of significance, and whether endings are truly final, or just new beginnings in disguise. 

Lastly, Mastura's endeavours prove that logic isn't always the best rule of thumb, and that everything can become unpredictable in an instance. 

And then of course comes my secondary cast, bringing along with them a touch of romance and a healthy dose of fierce friendship: Dahlia, Darryl and Wei Yin, Terence, and Alfian and Putri, amongst others. 

Lastly, spot these essential themes in my very Malaysian story: Fillial piety, death and loss, delectable cuisine, lots and lots of hantu, quirks of living in a third world nation and not forgetting, a touch of magic and/or the supernatural. 

Okay, that's all my brain has to offer for now. 'Till next time, toodles! 

Sunday, March 2, 2025

Climb

It's been hard trying to delve back into writing and polishing this novel. There are only so many hours in a day and plenty of other things demanding my attention. 

It's not that my mind hasn't been on Intersection at all, it's just hard carving out moments to actually put words on a page or to tweak the legions of unrefined prose that had been previously haphazardly strung together. 

Add to that the fact that the longer you stay away from the source material, the harder it is to get back into the right frame of mind and to carry on wherever you left off. And I've so much I've neglected lately, thanks to a copywriting gig that had eaten at most of my creative juices of late. (Not that corporate gigs are all that creative; it's just whenever you have to focus on these kinds of tasks, it leaves little brain left for producing original content, which is what you're after when it comes to your own personal/passion projects). 

I suppose these all seem like excuses to you, dear Reader. Truly sorry to disappoint. This aspiring author here isn't quite as prolific as she'd like to be. 

But well, I haven't 100% given up yet. So I guess that's at least one good thing. 

Although seeing the many successes of other people is disheartening. I mean... not that I am not happy for them. I'm glad for them, and I'm sure they deserve every bit of whatever they've accomplished. But it's just... it'd be nice if my life wasn't always in such stark contrast to everybody else's. That for a change, it was I who was the one reveling in a highly illustrious writing portfolio. One that consists of the things I desire to achieve, not the paid work that I am obligated to complete. 

Anyway, there's some time to spare tonight, even if just a little. So let's hope the dawn brings with it something significant to show. 

Chen Hao's been making good progress in his ghastly journey lately. I guess I should too. He and I, we're pretty similar in many ways after all. 

See you guys in the pages of the story. Hopefully sooner rather than later. 

 

Tuesday, January 21, 2025

Checkpoint

Heya! 

I realised that I haven't said anything here since 2025 began so here I am to say Happy New Year! It's almost Lunar New Year so there's going to be another round of distractions coming right up. I hope I'll be able to chart more progress before then. 

Just so you know, I have still been working on the novel, though the amount of time I devote to it each day varies. But I think I have been returning to it pretty consistently, and it's like I would have at least reviewed something I've written every day or added some new material to it. 

My ghost main character (MC), Chen Hao's story arc has been challenging to figure out in many ways. First of all, I am not really that clued in with regards to what's typical/accepted/expected of characters who are ghosts. I am also not that knowledgeable about Malaysian folklore on supernatural beings such as ghosts. So I've had to delve a little into these things and hope that good old Google will not fail me.  

I also wanted to be a bit careful about how deeply I dived into anything spiritual/superstitious since I do have my own set of personal beliefs about these things. Although this is a fictional tale, I guess I didn't want to veer too far off from what I am personally okay with. However, for the sake of a good story, I'd also not want to ignore or leave something out just because of my own inhibitions. So it's been a fine balance to keep. 

Another thing I'll still need to review/refine about Chen Hao's part of the novel is that it was meant to be more humourous/lighthearted compared to the somewhat sombre themes that Audra and Radhesh carried in their respective story arcs. This started off fine in the opening scene for Chen Hao, and it did carry over into several other scenes, but I found in the later ones that my mind wasn't as focussed on making something entertaining/funny. Maybe that's because it's been hard enough as it is trying to iron out plot points and make everything believable and engaging enough for you guys to read. 

Ah. I still fret over what you all will think of these whimsical spaces I've created for Chen Hao. I've done what I can to relate real-life incidents/superstitions/lore to the story I wrote for him so that it feels authentically like an experience that a Malaysian ghost might have had, assuming such beings exist in the form that we ascribe to them. 

All in all, writing a story about a ghost in this manner is definitely a first for me. So I suppose I shouldn't be too harsh with myself on it. 

I certainly hope you will grow to love Chen Hao and relate to his journey of coming to terms with who he is and how seemingly commonplace things can have an extraordinary impact. 

Okay, I've still got some time to spare right now and I'd like to devote it to actually working on the novel rather than chattering away here. Haha. See you again real soon! 

Thursday, December 12, 2024

Research

Writing fiction sometimes brings you to search for some really random things online. To give you an idea of what that looks like, here's a sample list of 20 keywords/phrases I've googled while writing Intersection: 

  1. Last wishes
  2. Power/energy rationing
  3. Primal instinct
  4. Anatomy of a lamp
  5. Can emotional pain cause physical pain
  6. Parts of a camera
  7. Not Chinese enough
  8. Trees in Selangor
  9. Hindu funeral rites
  10. Sound that a walkie-talkie makes
  11. Concept of letting go
  12. Sambar recipe
  13. Wind movements
  14. Dementia in the elderly
  15. Follow the light
  16. Name for pathway in front of shops
  17. Scents and memories
  18. Characteristics of a whirlwind
  19. Describing hands
  20. Are vampires considered undead


Update

 I've got some significant progress to report, guys! 

I think I'm finally (x 1,000) wrapping up the story arcs for Radhesh and Audra. I've faced so much dilemmas with regards to both their stories, and it's been really tough figuring everything out. But I think I've finally sorted out most issues by now. 

And and and... 

I think I've also decided on the ending paragraphs for this novel. It's a little different from the original way I'd concluded things in the version I submitted to Fixi Novo in the past, but I think I'm happier with this new version because: 

  1. It has hope in it, and this has always been a major theme that I feel strongly about. You will see it peeking out from nearly everything I write. 

  2. It contains some reflection in the narration, and ideally, that's what I'd like to direct my readers to do.

  3. It rounds up the theme of memories nicely, which is the main topic that this novel is zooming in on. 
I feel extra excited now that this is in place. I can't wait to let you read it. 

There's still plenty more to add/remove/review/revise for this novel, but it feels like more things are taking shape lately, and I'm glad. 

On another note, I noticed lately a fellow contender of mine from the Fixi Novo contest has already gotten his novel published. I am so envious! But of course, I'm sure it's a huge accomplishment for the author concerned and he deserves every bit of the success that he can now enjoy. 

I only hope that I will get to the same point too, and hopefully soon!

Just yesterday, I saw a post on one of the Facebook writers' groups that I'm in where someone posted about her book appearing in the shelves of Staff Picks in a bookstore next to other famous authors and how she felt about it. Such a huge moment for an author. 

I wish that I could reach this point too. 

But I know that even when I do, it's another thing altogether whether anyone will actually pick my book off the shelf at all. And that will be another source of anxiety in itself.

Nevertheless, just the chance of getting published, and having a novel to my name is such a thrilling thought. 

An old friend of mine asked me in the past once whether I like sharing my writing with others. I do sometimes, and yet, I also don't. So I'm still afraid you're all going to hate my novel, but well, I'm still at it. 

And hopefully someone, some of you, somewhere, will like it. 




Thursday, December 5, 2024

Dismal

 It has been both a fruitful and unproductive week. 

I am now free from the shackles of paid assignments for the time being and can now, supposedly, focus my brain power on writing. But I've fallen sick again with the flu. And my eldest son is unwell too, meaning that he is home and not at school, thus derailing my plans to savour some peace and quiet in the mornings to write.  

In the mysterious world of The Novel, some new scenes have gotten fleshed out, while some old ones have gotten refined. Story arcs are diverging. The plot is rounding off in some corners. 

But plot holes still abound, and I struggle to feel okay with the rationale for many things in the story. I doubt myself and I do it a lot. I wonder endlessly whether the reader will buy the story, will even bother to plod through it to see it to the very end. 

However, the most painful part of all of this is that I recently realised that it's already been about A YEAR since I began working on this novel. And with this awareness comes a sense of awe... and also alarm. 

When will this stupid novel ever be done? 

If memory hasn't failed me, I believe it was on a Sunday morning that I laid down that very first scene that eventually became the beginnings of Intersection. 

My youngest son was ill that day, and so my husband and I had agreed that we'd split duties and that he'd take our eldest son to church while I stayed home with the sick one. 

And so, after my youngest son had finally drifted back to sleep, I found myself free for awhile. A very rare occurrence for a mother like me. So I of course did one of those things I love most in life: I decided to write. 

I was aware, at the time, of a novel writing contest being run by a local publisher known as Fixi Novo, and thought fleetingly to myself that perhaps it might be an opportunity to try and submit something. I didn't really expect to win, but I told myself that perhaps the whole experience of fleshing out a novel would be a good thing anyway. Plus, with a definite deadline in place, maybe I'd actually FINISH SOMETHING for once. 

Well, here's the thing: I did submit for the contest BUT I didn't actually finish writing the novel. I mean, I did put in a concluding scene/chapter in it, but there were LOTS of MISSING PARTS in between. 

YES, you read that right, dear Reader. That is really what happened. And this is the first time I'm admitting it here out in the open. 

Nevertheless (and for this I am eternally grateful), the kind organisers of this contest somehow did me the huge honour of still reading my story, and I was actually shortlisted as one of the finalists in the running to win the contest. But of course, now that you know what the actual state of my manuscript was at the time, I'm sure it would not surprise you at all that I most definitely did not win. 

Something else quite unexpected and charitable that the organiser (ie publisher) did for those of us finalists was that they passed along our contact to another local publisher who is open for submissions. On the one hand, it felt somewhat like a breach of privacy, since our express consent had not been sought for this sharing of our contact information. Then again, in this instance, maybe I'm kind of thankful for this happening because it has given me another chance at finding a home for Intersection. 

For those of you who haven't read my previous posts, basically the gist of it all is that this other publisher has expressed interest in seeing my full manuscript after I had passed along some sample chapters to them to read. 

So I am beyond elated at this opportunity because it's the closest I've ever been to having someone consider publishing fiction that I've written. Yet I am self-sabotaging everything by not being able to conclude the writing of this novel in its entirety. 

Sigh. 

"How far are you from being done?" My husband has asked me on more than one occasion. I have never been able to answer very definitively. 

Perhaps I'll never be done. The sheer fear of having worked on something so extensively that is ultimately worthless continues to haunt me. Also the fear of having hoped on the publisher being open to my work only to have them slam the door on me once I actually have something substantial to show. 

I don't know. They call it Impostor Syndrome. I would term it more like the Infirmity Of A Lifetime. 

Well, anyway, that's that. Now you know something you didn't before about this novel and its background/beginnings. 

For now, I'm still keeping the light on and allowing Audra, Radhesh, Chen Hao and Mastura to keep me company. (Not to mention Alfian, Putri and Dahlia too). But I hope they divulge their personal secrets to me soon because trying to guess at what their lives and inner feelings are all about is killing me. 

I know this blog is mostly an exercise in talking to myself in order to stay motivated to FINISH THIS THING, but if you're out there, and you bothered to read all this gibberish, then thank you from the very bottom of my heart. I'm really glad you came. 

I'll do my best to make it worth your while. 

I'm still working on it. 

I'm still writing. 


Sunday, November 24, 2024

Delays

 Sometimes in life, things get held back somehow. The revision process of my novel is currently one of those things. 

In the past month, I'd had to juggle between working on this novel AND proofreading my client's manuscript. But now that my work deadline has come and gone, I can once again focus fully on my story. 

YAAAY. 

So hey, I'm back and doing my best to make plot and characters and theme and everything else come together cohesively. I've been looking over previous discarded scenes and dialogue that I've written and it made me realise just how much changes this novel has gone through since its inception. 

Is that normal, I wonder? Perhaps that just shows how much of a novice I am. Hehe. But oh well, I can't deny that. I've not had much success writing long forms of fiction right up till now. 

And where's things at right now, you ask? 

Well, I'm hoping to wind up the story arc for 2 out of my 4 main characters. These are the 2 that I've fretted about the most, so hopefully once theirs have been cleared, the remaining 2 will be smoother sailing. 

I had hoped that I could submit the revised version of my novel to the prospective publisher before/by my birthday which is coming up. It's unlike that's going to happen, but let's see if I can make it before end of November, maybe? But even that seems like wistful thinking. 

Meanwhile, I've got some time alone this evening so let's hope more progress can be made to the story. I'll see you back here again some time soon. 

Wednesday, November 6, 2024

Poetry And Me

Heya! 

Been a little busy of late, with me balancing a proofreading project and revising my novel at the same time. But progress is being made on both ends, so I'm grateful there's at least that. 

It's just that it all feels like it's going slower than I'd like it to be. But I guess that can't be helped since there's so much other stuff to keep up with daily. Things like chores and all manner of parenting responsibilities. 

Some good but somewhat unrelated news for you meantime: A poem of mine has been featured in an anthology called Malaysian Places and Spaces, published by Maya Press (an imprint of Sasbadi). The launch of the book just took place last weekend and I'm happy to say that I managed to attend the event along with my family. 

It may surprise you to know that this was actually my first time ever attending a poetry reading + book launch. So it was meaningful in more ways than one. 

I made some simple cards with a poem I wrote specifically for the occasion and included a small handmade gift together with it to hand out to people I met at the event. 

I hope it will leave a good impression on whoever I met and that they will remember me the next time we cross paths. 

Well, do check out the book if you can. It should be in Malaysian bookstores soon and probably available online too. There are 80 poets featured in it. 

Okay, that'll be all from me for now. Will be back later to discuss novel related fare. 

Wednesday, October 16, 2024

Contradiction

I'm at some kind of pivotal point in my revision process and there's this feeling like maybe my manuscript is finally taking shape the way I'd like it to and it's getting me excited! 

At the same time, I'm running behind on the schedule I set for myself and it's potentially going to cost me (more on this later when things are more settled). All this is making me feel a whole lot like giving up because there are still some unresolved parts in my story and I don't always know what to do about them. I don't know if I can work them out, honestly. It's tempting to just give in and let this manuscript collect dust alongside the many abandoned projects I've accumulated over the years. 

It's such a struggle! Aargh! And that is why I felt I ought to pause at this juncture and come tell you about it. 

It's like the best and the worst of moments, all at once. 

I suppose every author reaches a point like this. And then, I guess, what separates the victors from the rest is what choices are made in moments like these. 

In the words of one of my main characters, "the best way to move forward is to push through". That's what I'm still doing for now. 

Here's to hoping I'll finally make it to the end!

Friday, October 11, 2024

Three Dimensionality

 My greetings to you at 4+am in the morning. Yes, I am here once again! Heh. (Although, I should say, I shall not linger long since I am awake to write, after all.) 

I'm here to chat briefly about character development. 

I would say this has been the most challenging aspect for me while writing this novel. I don't really have any formal training on writing fiction, other than what I gleaned from content on Coursera and whatever scant feedback I received from friends and family over the years. So I've found this process of developing characters quite daunting. I'm not even sure up till now whether I've gotten it right or not. 

All I know, in a gist, is that characters need to be compelling and relatable. They are the gears that move the story along. They are the reason for the story. In fact, they ARE the story, more or less. 

I've given it some thought and I've concluded that you'll probably know you've done a good job developing the characters in your story if they end up becoming memorable to your reader. And if they stay in the hearts and minds of your readers long after they're done reading your story.

I know I definitely have my own beloved list of fictional characters that I hold dear to my heart. Sometimes I even wish they were real people so we could be friends. I feel as though my life could be better if I had them around for company. 

I sincerely hope the characters that I bring to life in Intersection will have this effect on you. 

I decided on four main characters (MCs) for this novel: Audra, Radhesh, Chen Hao and Mastura. Each one holds an important message that I'd like to deliver to you through my story. 

It was hard settling on these four. I wondered if they were one too many. And whenever I did, I would consider if I should just tell this story from a single character's point of view instead. And then I'd get stressed about deciding which one person that should be. 

As you already know, my story is about memories and the impact they have on us over time. These four offer you different perspectives on this concept. 

Audra is the one who hangs on to memories with a passion, believing that none should ever be lost and all have meaning and purpose worth preserving. 

Meanwhile, Radhesh would rather leave them all behind. But that's not to say that he doesn't treasure them. He just doesn't wish to dwell. 

Then, we have Chen Hao who intended to give his memories away to others because he thought it was a good thing to do (and this says something about how he values his own memories as well as how he views the importance of sharing memories with others). 

Lastly, we have Mastura, who is sort of like a third-party observer of what happens to other people's memories. Particularly if they are abandoned and handed over to someone else who decides their fate or manipulates them. 

Is that giving away too much? Hmm. 

Things I've stressed over while developing my characters:

  1. How much I ought to describe my MC's physical attributes/appearance

  2. What race, age, gender and personal background each MC should have (I wanted to have a certain degree of diversity, yet I didn't want to divert too far from the traits that I felt would best tell my story)

  3. How developed each MC's story arc should be since there are FOUR of them

  4. How much each MC's story arcs should intertwine and to what degree their actions should affect another's outcomes 

  5. What subthemes should emerge from each MC's individual story arcs (some of the themes I pondered were migration, patriotism, grief/loss, romance, filial piety, friendship, depression/melancholy, suicide, generational trauma and friendship)

  6. Forming a unique voice for each MC (for which I'm not even sure I've resolved even till now)

  7. How believable and/or likeable each one of my MCs are and whether any of them will be responsible for a reader's DNF* outcome  

I was making my own head spin by writing out all four of MC's story arcs simultaneously. Although I had certain concrete ideas for each of them, it is hard to hop in and out of their individual journeys all at once. 

So finally, I came round to my own method of listing down each MC's story arc and having it represented in a neat enough way visually so that I wouldn't confuse and frustrate myself. 

The method I settled on was basically to open a Google Slides file and to create a slide each for every MC. I then listed down every scene or major event in their individual timelines from start to end. 

I used a different colour for each MC's name and so whenever they made appearances in each other's timelines, it would be more obvious to me since I could see different text colours to indicate these intersections of the plot.  I also applied some (virtual) yellow highlighter to the text wherever it was relevant to remind myself which scenes are shared between MCs. 

I must say, with these Google Slides in place, things feel a whole lot more organised in my mind now.

So with all that in place, here's to hoping Intersection will be a bit better for it!

I'm still racing against a deadline, by the way. I aim to send off the revised version of this manuscript for review by an interested publisher soon.

About a week or so left to go. 

Pray for me and/or wish me luck. 


*An acronym that I was told means "Did Not Finish". Please correct me if I am somehow mistaken.  

Saturday, September 14, 2024

Back

Just a quickie to say that I'm back. Not from the dead, but perhaps, from the dead of night. Mwahaha. 

Okay, so I'm probably a little unhinged from having stayed up late or woken up early one too many days in recent weeks. 

There was that copyedit I needed to complete for work. And then all those pesky chores I couldn't somehow keep under control. There was also a certain significant birthday that I needed to make celebratory preparations for. 

And all those three things are all done now!

So here I am, ready to delve back into crafting (or maybe more like rescuplturing) this novel once more. 

Not much has changed. It's still about what it's been about all along: Memories. But perhaps with a slightly different point of view. 

Alsooo... there's this fairly positive development too... which is that I've been in touch with an acquisition editor lately, and hopefully, maybe, somehow... someone out there might be interested to review my manuscript. If I can only finally whip it into shape, that is. 

Nevertheless, it is an opportunity. And one I hope to seize, hold my breath for and hope for the best. More on this one later. 

It's still early in the AM and there is much that can be done in the Land of the Living. So hey, let's talk more once I get back in the groove of things, shall we? 

Monday, August 5, 2024

Identity

Got a bit of good news to share. 

Several poems of mine will be featured in an upcoming anthology called Malaysian Places and Spaces. It's scheduled to be published by Maya Press around November this year (assuming all goes as planned).  

Meanwhile, I'm still plodding along for my current freelance job which will only reach its conclusion in early September. 

But not to worry, I've not forgotten about working on Intersection. In fact, as often as I've been able to, I've been drafting new scenes to add to the existing story. 

The one I'm halfway writing right now is a sombre lunchtime conversation between two characters which involves the consumption of nasi kerabu. It's one of my favourite local dishes and that's as good a reason as any for it to be featured as part of my novel, I believe. Haha.  

Well, if there's one thing I hope to bring out in this novel, it's a sense of Malaysian-ness. I've spent so much of my life being hindered in my writing because I was always thinking up stories with characters and settings that are very different from my life here in my homeland. 

In recent times, I've come to realise that it shouldn't be this way at all. Instead, I should proudly infuse my cultural heritage into whatever tales I decide to spin. After all, my readers should be given the chance to see the world through my eyes. That's partly what makes this whole fiction writing exercise worthwhile after all.  

I sincerely hope, that somehow, through the things that I write, some reader out there who would not otherwise have had the chance to experience Malaysian culture might gain that opportunity. And maybe, just maybe, they'll come to treasure my corner of the world in the same way that I do.  

Saturday, July 13, 2024

Pause

 Hello there! It's been a little quiet around here, hasn't it? 

Well, I've been occupied in the past week or so working out an upcoming freelance gig. So while that was going on, I was unfortunately unable to focus on writing Intersection. But I will get back round to things soon, I hope. 

I'm pretty stoked for this latest job I've landed though. I'll be editing a work of fiction in the fantasy genre. Sincerely hope that will go well. Wish me luck! 

Meanwhile, I've been doing some thinking about one of my so-called main characters. I'm actually considering whether to take this particular character out of the story altogether. She doesn't seem to be completely necessary to the plot and also is in some ways the odd one out in comparison to the other main characters. I haven't entirely decided on this one, but I guess I'll update you on that one should it ever come to that. 

Another background thing that I've been doing for Intersection is I've been reading a book about dealing with the death of a sibling. Not sure if I've mentioned it before, but there is quite a prominent sub-theme of death in this story and more than one character has experienced the loss of a sibling. So I've been trying to figure out how to describe the challenges they face in an authentic way and also to see how it's possible for the characters who had a similar experience to comfort each other. 

It's hard to write about things you haven't experienced yourself, yet I don't want to avoid addressing it in my writing just because of that. So hopefully having input from friends about their personal  experiences (I have an old uni friend I met with lately to thank for that perspective) and reading about how others deal with these things will help. 

That's all the updates I have to offer you for now. Toodle-oo! 

Thursday, July 4, 2024

Revisit


My husband, Deric and I usually have limited time to chat in the morning before he heads off to work. So I was talking at warp speed today just so I could finish sharing my updated plot for Intersection with him before he cabut to KL. 

"I think might need to draw it out," he said, referring to my list of characters which I guess at some point became a little overwhelming for him to digest.

Over breakfast today, I decided to try creating such a diagram. Basically, it listed all the characters (both main ones as well as the minor role ones) and highlighted the relationships between them. Sorta like an Entity Relationship Diagram, to quote some leftover knowledge from my IT days. 

You can catch a glimpse of it in the photo above. 

Didn't realise that it's pretty elaborate the connections I've created in the story. Hmm. 

I'll formally introduce you to my main characters in a different post. Gotta run for now.